Drawing from embodied insights observed during dance/movement therapy (DMT) sessions where the artist served as the therapy practitioner, a series of cyanotypes emerged, each infused with reflections from these interactions. The physical experience of embodying the postures for the creation of these cyanotypes was analyzed and expressed in textual form. Later, these impressions were transformed into mixed-media pieces, incorporating embroidery and stamping to deepen the tactile, embodied quality of the work. Through this process, five cyanotypes were created: two formed through group collaboration, embodying collective gestures, and three using the artist’s own body as a medium of expression. Among these, two are diptychs, while two employ double exposure.